Polish fashion label develops dresses with Augmented Reality patterns:
Data - digital information as memories, objects and dreams combined into humans technological aura. Aura- mystic personal space around us. By ages humankind aura was created by interpersonal development, by meditation, choices and nature… Now we found out that there is a way to express our “personal inside” outside using technology as a tool.
We are not only bodies, mind and souls anymore, we can look however we want to, just as we can be in any place and time.
DataAura have a Tumblr blog here
Flappers shaming Miley Cyrus.
Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.
This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.
hello plus size world! i just went through my closet and am selling everything suuuper cheap! everything is a size 14/16/18 and is between $10-$15. this is only the tip of the iceberg so stay tuned. http://shortandtight.storenvy.com
— My Words to Victor Frankenstein above the Village of Chamounix: Preforming Transgender Rage//Susan Stryker (via growrot)
There are now four dating websites that have Predator Alert Tools:
- Predator Alert Tool for OkCupid
- Predator Alert Tool for FetLife
- Predator Alert Tool for Facebook
- Predator Alert Tool for Lulu
These tools are inspired by the academic works of David Lisak and Paul Miller, “Repeat Rape and Multiple Offending Among Undetected Rapists,” 2002, and the academic works of Stephanie K. McWhorter, “Reports of Rape Reperpetration by Newly Enlisted Male Navy Personnel,” 2009. See “Repeat Rape: How do they get away with it?" for details.
- accept that no pun is actually Good, but that the true nature of a good pun is to be so terrible that it becomes good.
- say every pun that occurs to you. i’m so serious about this, sometimes the most well received puns will be ones you considered not saying.
- ALWAYS laugh at your own puns, even if nobody else is. (especially if nobody else is.)
- know that you are hilarious. puns are a limitless resource and you have taken it as your duty to bring this gift to humanity. you are a hero.
the fact that women have to fake orgasms so that dudes who dont care about giving them orgasms dont have to feel bad about not giving them orgasms after making no effort to in the first place is ridiculous